The Velveteen Rabbit is a children’s book that tells the story of a little plush toy that dreams about becoming “real.” The real hero of this story is the old Skin Horse, who’d lived in the nursery longer than any of the other animals. He was the resident old soul and he was wise and kind and knew much about life and love and truth. The Velveteen Rabbit longed to become real and it was the wizened old Skin Horse that had the answers.

The Skin Horse told Rabbit, “Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don’t matter at all, because once you are Real you can’t be ugly, except to people who don’t understand.”

Beauty - true beauty - is about being real. It’s about becoming the real person that our Creator intended us to be. It’s just as Margery Williams said in The Velveteen Rabbit. “Real isn’t how you are made,” the skin horse told the Velveteen Rabbit in this meaningful story. Rather, “it’s a thing that happens to you” (when you are loved).

Conversely physical beauty - that beauty which is skin-deep - is about conformity.

“Beauty is in the Eye of the Beholder,” was a Twilight Zone episode that told the story of Janet Tyler, a grotesquely ugly woman. Checking into the hospital for her 11^th and final plastic surgery, she desperately hoped this surgery would be successful. All prior surgeries had failed and in this modernistic society, there was a mandate to conform. Ugliness (as defined by their government) was a failure to conform and a criminal offense.

Down the hallway from Janet’s room, we hear Dear Leader giving a speech about “glorious conformity,” broadcast into the hospital waiting rooms via a large television set. The Hitler-esque voice booms with ominous messages about the importance of conformity. Differences, he tells the masses, are dangerous and will weaken their culture. Conformity is essential to their very survival.

A few days after the woman’s surgery, the medical staff slowly removes the bandages and we see the young woman’s face for the first time. She is a real beauty, a blonde bombshell, perfect in every way.

The doctors and staff gasp in horror. The operation was a failure - again. The camera pulls back and we can now see their faces. They’re hideous-looking creatures, with swinish faces and long snouts, oversized mouths and deep creases. They are the beautiful people in this alternate reality.

Next, Janet is sent away to a special village, where people like her go to live out their lives. A handsome man escorts her out of the hospital with a promise that she’ll now know how it feels to belong, and to be loved. (Originally airing on November 11, 1962, this episode was very well written and absolutely haunting.)

The “glorious conformity” of skin-deep beauty is a moving target and its standards are forever changing, following the lead of the rich and famous, and their copious leisure time. In earlier times, the beautiful people were fair-skinned, un-tanned, pleasingly plump and soft. Most “working women” of that same period toiled in the fields for hours every day, developing muscle mass, dark tans and calloused hands. When women went to work in windowless cubicles, stuck behind a desk for eight hours each day, the beautiful people became the ones with deep tans, hard bodies and sleek figures. Beauty follows wealth and leisure.

True beauty - authenticity - is not about the world’s standards but about rediscovering that kingdom of heaven that is within you. It’s not a moving target, but a changeless standard with its roots in the divine.

The above is from Rose’s book, The Ugly Woman’s Guide to Internet Dating. To read the rest, click here: